In THINGS am Ende der Welt, the stage space becomes an accumulation of objects and materials that encourage touch, contemplation, and play. Two performers invite the audience to explore a world full of whimsical, seemingly natural objects together, thereby wondering about their own relation towards nature. What is nature and what is not, how does nature feel, and how are our concepts of nature informed? Various shapes, large, small, with colours and materials reminiscent of stones, boulders, or other natural phenomena are integrated in a performative game of sensual perception and sensual disorientation, closeness, and distance.

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